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  2. ZaxCom Deva 24

    Zaxcom introduces the new Deva 24. Functionality Deva 24 introduces a completely new recording and mixing system that delivers unsurpassed audio quality and control. Based on its award-winning predecessors, Deva 24 integrates 24 track recording with versatile input/output routing, ZaxNet, NeverClip, PowerRoll and MixAhead with a fast, intuitive touch screen interface. Connectivity Deva 24 features 16 analog inputs, 12 are switchable mic or line level, each with adjustable limiter, high pass filter, input delay and 48V phantom power. NeverClip preamps provide 136 dB of dynamic range. Four additional line level inputs can be used as returns. 24 input channels of AES are available, 16 support AES42. With sample rate conversion, each input allows for a different sample-rate. Deva 24 accepts any unlocked AES signal with a sampling-rate of 32 to 192 kHz. The dynamic range of the sample-rate conversion is 124 dB. 10 output busses provide routing flexibility through four XLR, three TA-5M and three 3.5mm connectors. Outputs feature delay settings, level attenuation and assignable output names. 12 direct output channels of AES offers a processor independent feed to a backup recording system. There are additional connections for timecode, external slate mic and redundant power. USB slots connect Deva 24 to the Mix-16, Oasis and RX-12. Recording Audio can be recorded to three media simultaneously. An internal 2.5” SSD (1TB max capacity) is the primary media paired with two compact flash (CF) card slots. Files are recorded as MARF II, a lossless fault tolerant recording format to the internal drive and as Broadcast Wave files (BWF) to the CF cards. The CF card slots can record individually or simultaneously in 16 bit or 24 bit formats. An eSATA port provides an external hard drive (SSD or HDD) option that takes the place of a single CF card slot. Mixing 12 rotary faders can be assigned to act as a fader, input trim knob or a ZaxNet control knob. Deva 24 has a three band equalizer for each input where low shelf, peaking, and high shelf can be adjusted. The rotary encoder allows you to adjust the compressor settings, input trim and invert the phase of an input. 8 tracks provide an infinite mix of all Deva 24 inputs, while 16 tracks are dedicated to ISO routing. Any of the 16 analog or 24 digital inputs can be assigned to an ISO track as either pre or post fader. Combining Deva 24 with a Mix-16 or Oasis control surface offers a seamless integration for the sound recordist. Only a single USB cable is needed to link the Mix-16 or Oasis to Deva 24. Simply connect and go. Touchscreen Deva 24 touts a detachable front panel interface with a touchscreen menu system that’s fast, easy to learn and reliable. Connecting a compatible MAC or PC allows both hardware and software components to be controlled remotely through the Deva 24 GUI by a computer mouse or Deva 24. The remote computer keyboard can be used to enter metadata. A USB cable provides the connection. Advanced Features ZaxNet, PowerRoll and MixAhead provide advantageous tools for the sound recordist. ZaxNet provides remote control over Zaxcom Digital Recording Wireless transmitters through a 2.4 Ghz RF signal. Pre-amp gain, frequency, output power and record/playback/stop functions can be adjusted without needing to approach the talent. ZaxNet is supported by an IFB200 connected to Deva 24. PowerRoll allows ZaxNet controlled transmitters to increase its output power level when Deva 24 goes into record and then decrease its output level when recording stops. This conserves battery power on the transmitters. MixAhead eliminates errors in human reaction time. Users can select a time up to 250 milliseconds (ms) for audio in the console to be delayed. Adding the extra time allows you to hear the audio first and then have time to react.
  3. Free Colour Presets For FCPx

    This website is a great free resource for FCPx Its called FreeFCPx
  4. film

  5. Movie Images

  6. Star Shooting Locations

    We, Star Shooting Locations provide shooting locations for Movie, Serial, Advertisement and photo shoots, We provide mainly Corporate office locations and Under Construction Building locations.
  7. Star Shooting Locations

    We, Star Shooting Locations provide shooting locations for Movie, Serial, Advertisement and photo shoots, We provide mainly Corporate office locations and Under Construction Building locations.
  8. we have all kinds of army and pipe bands all well decorated and in uniforms for shoots and events. Pls. watch our youtube link below. Contact prafull-9582530639 for queries. Thanks
  9. GROUNDBREAKING NAB SHOW SESSION TRANSPORTS CREATIVE PROFESSIONALS AND SCIENTISTS TO FUTURE OF CONTENT PRODUCTION -- NASA JPL expert, high-profile media execs, and futurist Marco Tempest highlight what’s possible today and tomorrow with cloud media services and artificial intelligence -- WASHINGTON, D.C.-- NAB Show will feature an exclusive keynote session that provides a front-row seat to the future of content creation. The session, produced by Amazon Web Services, will explore the latest cloud-based media workflows combined with advanced machine learning to deliver next-level, immersive viewing experiences. The keynote event is divided into three acts and will take place Wednesday, April 11 at 11:00 a.m. on the NAB Show Main Stage in the North Hall of the Las Vegas Convention Center (LVCC). Act one of the session, “Race on the Red Planet: Chasing our Creative Future With Curiosity and Opportunity,” will tell the story of a high-pressure, over-the-top (OTT) video event involving NASA Jet Propulsion Laboratory (JPL) rovers on Mars. The producers are stymied by a series of complicated challenges, such as scaling up cloud resources to address demand spikes, personalized ad insertion, language translation and captioning, and on-the-fly highlight package creation. Will they be able to overcome the issues? Audience members at the LVCC and online will learn if the producers are able to resolve their dilemmas in real time. In remarks by futurist Marco Tempest, act two of the session will feature a peek into the role video and machine learning technologies will play on Earth and in the journey to Mars. Tempest serves as a creative technologist and advisor to organizations such as NASA JPL. Also a Director’s Fellow at the MIT MediaLab and Founder and Director of the MagicLab, Tempest will offer insights and inspiration for creating more immersive experiences. The third and final act of the NAB keynote session features a panel discussion between high-profile media brand and scientific technology leaders who are leveraging cloud media workflows and looking to machine learning and artificial intelligence to enrich those processes. The show will be encoded and delivered by AWS. AWS Elemental will deliver a live stream of the event via an AWS media workflow that includes Amazon EC2, Amazon Elastic Load Balancing, Amazon Route 53, and Amazon CloudFront for public access at https://live.awsevents.com. A video-on-demand (VOD) asset will be available after the event at https://live.awsevents.com. “This session will speak directly to the powerful new ways scientists and creative professionals are leveraging emerging technologies to tell compelling stories that both educate and entertain,” said NAB Chief Technology Officer Sam Matheny. “New tools like artificial intelligence and machine learning are joining with new processes like cloud work flows to expand the boundaries for inspirational story telling on Earth, and even from Mars.” The A.I. Experiential Zone, hosted by NAB and produced by AWS, will enable 2018 NAB Show attendees to see firsthand how machine learning is transforming the media and entertainment industry. Located in the Central Lobby adjacent to the M.E.T. 360 Studio featuring “NAB Show LIVE,” this dynamic, educational showcase will feature real-world applications and content workflows for automatic speech recognition, natural language processing (NLP), text-to-speech applications, deep learning-based image and video analysis, and more, powered by AWS machine learning services.
  10. Movies poster

  11. Hi! Fellows we are providing all kind of folk and classical dances for shootings and live shows. we provide- Artists for all reasons and artists for all seasons. All kinds of artists available with us for weddings, conferences, events, social get-togethers, private parties, conferences, national day, birthday parties et al. Here is a small list of all the things we can do for you. bhangra troupe rajasthani folk troupes langa & manganiyar groups from rajasthan brass band pipe bands army bands nasik dhol nagada party tarot card readers fortune teller tarot parrot tota pandit shehnaiwala shehnai waden classical singers & musicians classical dances mantra chanting pandits games for mehendi & sangeet functions. International artists belly dancers acrobats foreign dancers bollywood troupes mime artists percussion players symphony orchestra sufi bands live bands karaoke jockeys, DJ and anything you can think of under the sun. Feel free to call us anytime for bookings. Prafull-9582530639 Thanks
  12. Last year was block buster for Indian movies because some Indian movies reached unbreakable records like Bahubali 2 movie and the last month of 2017 Tiger Jinda Hai movie has released, This movie were top Bollywood movie of 2017. Now 2018 is running and some most awaiting movies already has been released in these three months and some big buster movies is ready to release. By source we can say all upcoming Bollywood movies gonna block buster. Now we can say Indian movie making technique is going to better in these some years. Here is list of Highest grossing Bollywood movies 2018:- 1- Padmaavat Deepika Padukone, Ranveer Singh, Shahid Kapoor Sanjay Leela Bhansali 190 292 2- Padman Akshay Kumar, Sonam Kapoor, Radhika Apte R Balki 20 80.61* 3- Sonu Ke Titu Ki Sweety Kartik Aaryan, Nusrat Bharucha, Sunny Singh Luv Ranjan 20 86.76* 4- Pari Anushka Sharma Prosit Roy 20 25 5- Aiyaary Sidharth Malhotra, Rakul Preet, Manoj Bajpayee Neeraj Pandey 25 18 6- 1921 Zareen Khan, Karan Kundra Vikram Bhatt -- 15.92 7- Hate Story 4 Urvashi Rautela vishal Pandya 20 12.57* 8- Mukkabaaz Vineet Singh, Zoya Hussain Anurag Kashyap -- 9.85 9- Kaalakaandi Saif Ali Khan Akshat Verma -- 6.12 10- 3 Storeys Richa Chadha, Pulkit Samrat Arjun Mukerjee -- .35*
  13. FCPx. The More I use it the more Ilove it. Here are some free colour presets for FCPx. Give your footage a retro look with these 10 free vintage presets for Final Cut Pro. (I checked they worked with 10.3.4 but not with 10.4) Will keep adding to this list.
  14. FCPX fits very well into a collaborative workflow, unlike what a lot of people may have you think. premiumBeat has an excellent article on this.
  15. While i run my own experiments, these thrfeads are very helpful. This one at Apple Discussions. And another one at SuperUser.com. I tried installing a brand new 4tb disk inside the D2 and failed (The D2 was boight aound 2007-8). Next attempt will be with a 2TB drive.
  16. Journalists Wanted : Both Print & Video

    - Are you passionate about journalism? - Do you think you have what it takes to build a start-up? - Do you know anyone who has these traits? If yes, then read on. - tidingscentral.com is expanding its team in both the print and and video format. - We want to make a team of passionate journalists that will work full-time, on profit-sharing basis, in a South-Delhi based office. - If you believe you have a knack for journalism, want to do more than a job, build a start-up and want to have creative freedom, write to us at rohankp3@gmail.com. - Please do attach your CV and a sample write-up. - Pass it on if you think anyone known would be interested #journalists #independentjournalists
  17. Esquared is looking for a candidate to shoot and edit Video. - Editor should be comfortable with Final Cut Pro, Editing Videos to short clips, Input Music, graphics and After Effects - Able to meet deadlines and Work under pressure - Able to organize, plan and prioritize work - Manage time effectively, ability to multi task - Open to travel for shoot - Keep up with new trends and techniques for creating videos - Encoding, Converting and Editing Videos Experience : 1+ years Salary : 1,80,000 to 4,80,000 Employment type : Full time Location : Defence Colony, Delhi Interested candidates can share their work and resume at shweta@esquared.in
  18. Found this excellent article on changing your disk's controller card.
  19. Mission Impossible Fallout Stunts

    Images from Latest upcoming Hollywood action movie Mission Impossible 6 . Tom Cruise once again returns with his new action pack movie Mission: Impossible – Fallout. In MI6 Tom Cruise perform many dangerous stunts. I watch Mission Impossible Fallout online trailer on YouTube and that was amazing and mindblowing. I can't wait to watch this hilarious movie.
  20. Cleaning Audio from Interviews

    Here is a good discussion on cleaning audio on Gearslutz.,
  21. On some low budget interviews. you may have some muffled voice, room noise reflections and AC or some other machine noise. Here are some ways to correct these. Removing Continuous background noise with Audacity, a free Open Source software. Saving dull dialogue. Sometimes the mic will be too far away from the speaker and the resulting audio can be dull, full of room boominess. This is a nice tutorial to fix it.
  22. Arri intriduces a complete range of large format system. Bases on a large format 4k version of the Alexa Sensor, the system comprises Alexa LF Camera, Arri Signature Prime Lenses, LPL lens mount and PL-LPL Adaptor. These system elements have been designed to take fulkl advantage of the enlarged sensor while also offering compoatibilkity wiuth existing lenses, accessories and workflows. Featuring a sensor slightly larger than full frame, ALEXA LF records native 4K with ARRI’s best overall image quality. This allows filmmakers to explore an immersive large-format aesthetic while retaining the sensor’s natural colorimetry, pleasing skin tones and stunning capability for HDR and WCG workflows. Versatile recording formats, including efficient ProRes and uncompressed, unencrypted ARRIRAW up to 150 fps, encompass all on-set workflow requirements. Featuring a sensor slightly larger than full frame, ALEXA LF records native 4K with ARRI’s best overall image quality. This allows filmmakers to explore an immersive large-format aesthetic while retaining the sensor’s natural colorimetry, pleasing skin tones and stunning capability for HDR and WCG workflows. Versatile recording formats, including efficient ProRes and uncompressed, unencrypted ARRIRAW up to 150 fps, encompass all on-set workflow requirements. ALEXA LF has the largest sensor of any full-frame cinema camera on the market. Maintaining the ALEXA family’s optimal pixel size for highest overall image quality results in a 4448 x 3096 picture, which can be recorded in full using the LF Open Gate mode. An LF 16:9 mode maximizes lens options while meeting 4K deliverable standards, and an LF 2.39:1 mode combines a cinematic widescreen image with high frame rates up to 150 fps for sensuous slow motion. All sensor modes offer true 800 ASA sensitivity as well as reduced noise, providing the perfect canvas for modern, subtle lighting techniques. Accompanying the ALEXA LF camera are 16 large-format ARRI Signature Prime lenses, ranging from 12 mm to 280 mm and fitted with the ARRI LPL mount. While the Signature Primes exemplify state-of-the-art optical precision, they have been designed to render organic, emotionally engaging images, gently softening and texturizing the large format with natural skin tones and creamy bokeh. A fast T-stop of T1.8 facilitates shallow depth of field and the smooth focus fall-off gives subjects heightened presence in the frame. The ARRI Signature Prime range is the first cine lens series to feature machined magnesium lens barrels, making the optics incredibly lightweight and robust. They are also the first to incorporate ARRI’s next-generation LDS-2 Lens Data System, with high data rates and absolute encoders for fast initializing. LDS-2 extends the possibilities of lens data and is being licensed to other lens and camera manufacturers. Name ARRI SIGNATURE PRIME 18/T1.8 ARRI SIGNATURE PRIME 21/T1.8 ARRI SIGNATURE PRIME 25/T1.8 ARRI SIGNATURE PRIME 29/T1.8 Release 2018 2018 2018 2018 Lens Mount LPL LPL LPL LPL MOD from sensor plane (minimum marked distance) 0.35 m / 14" 0.35 m / 14" 0.35 m / 14" 0.35 m / 14" MOD from lens front 0.13 m / 5.1" 0.13 m / 5.1“ 0.13 m / 5.1" 0.13 m / 5.1“ Length from flange 178 mm / 7.01“ 178 mm / 7.01“ 178 mm / 7.01“ 178 mm / 7.01“ Magnification Ratio at MOD (Paraxial) 1:9.2 1:8.2 1:7.1 1:6.4 Entrance pupil position (related to image plane, in direction to object) 189.9 mm / 7.48“ 183.4 mm / 7.22“ 178.1 mm / 7.01“ 166.0 mm / 6.54“ Angle of view H - V - D for LF Open Gate 91.4° / 71.0° / 102.6° 82.8° / 63.0° / 94.0° 73.0° / 54.4° / 84.0° 65.2° / 47.8° / 75.8° Front diameter 114 mm / 4.49“ 114 mm / 4.49“ 114 mm / 4.49“ 114 mm / 4.49“ Maximum housing diameter 115 mm / 4.53" 115 mm / 4.53" 115 mm / 4.53" 115 mm / 4.53" Weight (lens only) 2.0 kg / 4.4lb 2.1 kg / 4.6lb 1.9 kg / 4.2lb 1.8 kg / 4.0lb Name ARRI SIGNATURE PRIME 35/T1.8 ARRI SIGNATURE PRIME 40/T1.8 ARRI SIGNATURE PRIME 47/T1.8 ARRI SIGNATURE PRIME 58/T1.8 Release 2018 2018 2018 2018 Lens Mount LPL LPL LPL LPL MOD from sensor plane (minimum marked distance) 0.35 m / 14" 0.35 m / 14" 0.45 m / 18“ 0.45 m / 18“ MOD from lens front 0.13 m / 5.1" 0.13 m / 5.1“ 0.23 m / 9.0“ 0.23 m / 9.0“ Length from flange 178 mm / 7.01“ 178 mm / 7.01“ 178 mm / 7.01“ 178 mm / 7.01“ Magnification Ratio at MOD (Paraxial) 1:5.4 1:4.8 1:6.3 1:5.3 Entrance pupil position (related to image plane, in direction to object) 162.5 mm / 6.40“ 159.8 mm / 6.29“ 156.1 mm / 6.15“ 145.4 mm / 5.72“ Angle of view H - V - D for LF Open Gate 55.4° /40.2° / 65.2° 49.2° / 35.4° / 58.2° 42.6° / 30.4° / 50.8° 34.8° / 24.8° / 41.8° Front diameter 114 mm / 4.49“ 114 mm / 4.49“ 114 mm / 4.49“ 114 mm / 4.49“ Maximum housing diameter 115 mm / 4.53" 115 mm / 4.53" 115 mm / 4.53" 115 mm / 4.53" Weight (lens only) 1.7 kg / 3.7lb 1.9 kg / 4.2lb 1.8 kg / 4.0lb 2.1 kg / 4.6lb Name ARRI SIGNATURE PRIME 75/T1.8 ARRI SIGNATURE PRIME 95/T1.8 ARRI SIGNATURE PRIME 125/T1.8 ARRI SIGNATURE PRIME 150/T2.5 Release 2018 2018 2018 2018 Lens Mount LPL LPL LPL LPL MOD from sensor plane (minimum marked distance) 0.65 m / 26“ 0.85 m / 3‘ 1“ 1 m / 3‘ 4“ 1.5 m / 5‘ MOD from lens front 0.43 m / 16.9“ 0.63 m / 2‘ 1“ 0.78 m / 2‘ 7“ 1.25 m / 4‘ 2“ Length from flange 178 mm / 7.01“ 178 mm / 7.01“ 178 mm / 7.01“ 208 mm / 8.19“ Magnification Ratio at MOD (Paraxial) 1:7.2 1:7.9 1:7.0 1:9.0 Entrance pupil position (related to image plane, in direction to object) 118.6 mm / 4.67“ 86.6 mm / 3.41“ 66.3 mm / 2.61“ 145.4 mm / 5.72“ Angle of view H - V - D for LF Open Gate 27.6° /19.4° / 33.2° 21.8° / 15.2° / 26.4° 16.6° / 11.6° / 20.2° 13.8° / 9.8° / 16.8° Front diameter 114 mm / 4.49“ 114 mm / 4.49“ 114 mm / 4.49“ 114 mm / 4.49“ Maximum housing diameter 115 mm / 4.53" 115 mm / 4.53" 115 mm / 4.53" 135 mm / 5.31“ Weight (lens only) 1.9 kg / 4.2lb 2.4 kg/5.3lb 2.3 kg / 5.1lb 3.5 kg/7.7lb Name ARRI SIGNATURE PRIME 200/T2.5 ARRI SIGNATURE PRIME 12/T1.8 ARRI SIGNATURE PRIME 15/T1.8 ARRI SIGNATURE PRIME 280/T2.8 Release 2018 2019 2019 2019 Lens Mount LPL LPL LPL LPL MOD from sensor plane (minimum marked distance) 1.8 m / 6‘ 0.35 m / 14“ 0.35 m / 14“ 2.5 m / 8‘ 2“ MOD from lens front 1.54 m / 5‘ tbd tbd tbd Length from flange 218 mm / 8.58“ tbd tbd tbd Magnification Ratio at MOD (Paraxial) 1:8.3 tbd tbd tbd Entrance pupil position (related to image plane, in direction to object) 48.0 mm / 1.89“ tbd tbd tbd Angle of view H - V - D for LF Open Gate 10.4° / 7.2° / 12.6° 113.6° / 93.6° / 123.5° 101.5° / 80.8° / 112.3° 7.5° / 5.2° / 9.1° Front diameter 114 mm / 4.49“ tbd tbd 134 mm / 5.28“ Maximum housing diameter 135 mm / 5.31“ tbd tbd tbd Weight (lens only) 3.6 kg/7.9lb tbd tbd 5.5 kg/12.1lb
  23. until
    Hello, we are organizing The Kautik Film Festival in Nainital and for the first time we are taking it international. We expect our film making community to be a part of it wholeheartedly and for more information you can refer to the posters and contact details. Most of the times students don't even get to know that these kinds of festivals are happening around them. Spread the word, lets make it big. KAUTIK Film Festival Event Dates: April 7th, 8th and 9th CEFM Event Address: The Hermitage, Nainital, India The Hermitage Contact us at +91-9411344136, +91-9410544524 Kumaun University Email: filmmakingku@gmail.com Nainital, Uttarakhand Website: www.kunainital.ac.in India
  24. Editor Wanted : Paid Job

    Hello friends, my name is Jyoti Nisha and here is a work call. I am looking for a Film Editor who has sensibility of Dalit Bahujan Movements in the country and is passionate about it. The film is a feature length documentary project called as 'B R Ambedkar Now and Then'. You can find the link in the Video section of my website. www.jyotinisha.com A rough cut is ready and I want someone little creative with storytelling. Please connect. Paid gig. Email: jyotinisha13@gmail.com
  25. Comdey Writers Wanted for Web Series

    Looking for writers for a web-series... focus comedy & youth... pls get in touch with profile and work samples on parvinder@filmsrajendraa.com
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