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parambyte

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Everything posted by parambyte

  1. It seems there are only two ways. The more expensive and direct way is x2Pro. However a cheaper way is XtoCC. X2CC lets you export from FCPx XML to FCP7 compatible xml (you will need to have FCP7 or Adobe Premiere CC). Using FCP7 you can now export your OMF files for sound mix.
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    Jaipur International Film Festival
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    7th Delhi International Film Festival 2018, New Delhi New Delhi, Delhi, India
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    3rd International Short Film Festival Pune India First floor,Krushnalila Chembers,Tilak Road,Sadashiv Peth Opp Sp College pune pune, Maharashtra 411030 India
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    Haiku Amateur Littile Film Festival Insight the creative group, Shreyas, Kalvakkulam raoad, Koppam Palakkad, Kerala state 678001
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    Pickurflick Indie Film Festival 122001, Gurugram, Haryana 122001, India
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    Bengaluru International Short Film Festival Suchitra, 36, 9th main, BV Karanth Road, Banashankari 2nd Stage, 560070 Bangalore, India
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    Kolkata International Film Festival 79/1, Acharya Jagadish Chandra Bose Rd, Maula Ali, Taltala, Kolkata, West Bengal 700014, India
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    Dharmashla International Film Festival DIFF House, next to Dolma Ling Nunnery PO Box Sidhpur Dharamshala, Distt Kangra HP 176057
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    17th Pune International Film Festival
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    49th International Film Festival of India 2018 (IFFI) Goa, India
  12. Creative Baniya Short Film Festival Ludhiana, Punjab, India
  13. Kaaryat International Film Festival of India, JAIPUR
  14. Parrot National Films Festival Halim Tola Masjid, Halim Tola, Lakri Dargah, Bihar 841436, India
  15. Rolling Reels Short-Film Festival(RRFF) Chennai, Tamil Nadu, India
  16. Yuva International Short Film Festival 2018 3rd Floor, Shashikant Building, Gurudatta Seva Chowk, Behind Congress Bhavan, Near Corporation Bus Stop, Pune - 411005
  17. parambyte

    SAHAS Film Festival

    SAHAS Film Festival Shuklaji Street, mumbai central
  18. 7th Mumbai Short Film Festival
  19. Arri intriduces a complete range of large format system. Bases on a large format 4k version of the Alexa Sensor, the system comprises Alexa LF Camera, Arri Signature Prime Lenses, LPL lens mount and PL-LPL Adaptor. These system elements have been designed to take fulkl advantage of the enlarged sensor while also offering compoatibilkity wiuth existing lenses, accessories and workflows. Featuring a sensor slightly larger than full frame, ALEXA LF records native 4K with ARRI’s best overall image quality. This allows filmmakers to explore an immersive large-format aesthetic while retaining the sensor’s natural colorimetry, pleasing skin tones and stunning capability for HDR and WCG workflows. Versatile recording formats, including efficient ProRes and uncompressed, unencrypted ARRIRAW up to 150 fps, encompass all on-set workflow requirements. Featuring a sensor slightly larger than full frame, ALEXA LF records native 4K with ARRI’s best overall image quality. This allows filmmakers to explore an immersive large-format aesthetic while retaining the sensor’s natural colorimetry, pleasing skin tones and stunning capability for HDR and WCG workflows. Versatile recording formats, including efficient ProRes and uncompressed, unencrypted ARRIRAW up to 150 fps, encompass all on-set workflow requirements. ALEXA LF has the largest sensor of any full-frame cinema camera on the market. Maintaining the ALEXA family’s optimal pixel size for highest overall image quality results in a 4448 x 3096 picture, which can be recorded in full using the LF Open Gate mode. An LF 16:9 mode maximizes lens options while meeting 4K deliverable standards, and an LF 2.39:1 mode combines a cinematic widescreen image with high frame rates up to 150 fps for sensuous slow motion. All sensor modes offer true 800 ASA sensitivity as well as reduced noise, providing the perfect canvas for modern, subtle lighting techniques. Accompanying the ALEXA LF camera are 16 large-format ARRI Signature Prime lenses, ranging from 12 mm to 280 mm and fitted with the ARRI LPL mount. While the Signature Primes exemplify state-of-the-art optical precision, they have been designed to render organic, emotionally engaging images, gently softening and texturizing the large format with natural skin tones and creamy bokeh. A fast T-stop of T1.8 facilitates shallow depth of field and the smooth focus fall-off gives subjects heightened presence in the frame. The ARRI Signature Prime range is the first cine lens series to feature machined magnesium lens barrels, making the optics incredibly lightweight and robust. They are also the first to incorporate ARRI’s next-generation LDS-2 Lens Data System, with high data rates and absolute encoders for fast initializing. LDS-2 extends the possibilities of lens data and is being licensed to other lens and camera manufacturers. Name ARRI SIGNATURE PRIME 18/T1.8 ARRI SIGNATURE PRIME 21/T1.8 ARRI SIGNATURE PRIME 25/T1.8 ARRI SIGNATURE PRIME 29/T1.8 Release 2018 2018 2018 2018 Lens Mount LPL LPL LPL LPL MOD from sensor plane (minimum marked distance) 0.35 m / 14" 0.35 m / 14" 0.35 m / 14" 0.35 m / 14" MOD from lens front 0.13 m / 5.1" 0.13 m / 5.1“ 0.13 m / 5.1" 0.13 m / 5.1“ Length from flange 178 mm / 7.01“ 178 mm / 7.01“ 178 mm / 7.01“ 178 mm / 7.01“ Magnification Ratio at MOD (Paraxial) 1:9.2 1:8.2 1:7.1 1:6.4 Entrance pupil position (related to image plane, in direction to object) 189.9 mm / 7.48“ 183.4 mm / 7.22“ 178.1 mm / 7.01“ 166.0 mm / 6.54“ Angle of view H - V - D for LF Open Gate 91.4° / 71.0° / 102.6° 82.8° / 63.0° / 94.0° 73.0° / 54.4° / 84.0° 65.2° / 47.8° / 75.8° Front diameter 114 mm / 4.49“ 114 mm / 4.49“ 114 mm / 4.49“ 114 mm / 4.49“ Maximum housing diameter 115 mm / 4.53" 115 mm / 4.53" 115 mm / 4.53" 115 mm / 4.53" Weight (lens only) 2.0 kg / 4.4lb 2.1 kg / 4.6lb 1.9 kg / 4.2lb 1.8 kg / 4.0lb Name ARRI SIGNATURE PRIME 35/T1.8 ARRI SIGNATURE PRIME 40/T1.8 ARRI SIGNATURE PRIME 47/T1.8 ARRI SIGNATURE PRIME 58/T1.8 Release 2018 2018 2018 2018 Lens Mount LPL LPL LPL LPL MOD from sensor plane (minimum marked distance) 0.35 m / 14" 0.35 m / 14" 0.45 m / 18“ 0.45 m / 18“ MOD from lens front 0.13 m / 5.1" 0.13 m / 5.1“ 0.23 m / 9.0“ 0.23 m / 9.0“ Length from flange 178 mm / 7.01“ 178 mm / 7.01“ 178 mm / 7.01“ 178 mm / 7.01“ Magnification Ratio at MOD (Paraxial) 1:5.4 1:4.8 1:6.3 1:5.3 Entrance pupil position (related to image plane, in direction to object) 162.5 mm / 6.40“ 159.8 mm / 6.29“ 156.1 mm / 6.15“ 145.4 mm / 5.72“ Angle of view H - V - D for LF Open Gate 55.4° /40.2° / 65.2° 49.2° / 35.4° / 58.2° 42.6° / 30.4° / 50.8° 34.8° / 24.8° / 41.8° Front diameter 114 mm / 4.49“ 114 mm / 4.49“ 114 mm / 4.49“ 114 mm / 4.49“ Maximum housing diameter 115 mm / 4.53" 115 mm / 4.53" 115 mm / 4.53" 115 mm / 4.53" Weight (lens only) 1.7 kg / 3.7lb 1.9 kg / 4.2lb 1.8 kg / 4.0lb 2.1 kg / 4.6lb Name ARRI SIGNATURE PRIME 75/T1.8 ARRI SIGNATURE PRIME 95/T1.8 ARRI SIGNATURE PRIME 125/T1.8 ARRI SIGNATURE PRIME 150/T2.5 Release 2018 2018 2018 2018 Lens Mount LPL LPL LPL LPL MOD from sensor plane (minimum marked distance) 0.65 m / 26“ 0.85 m / 3‘ 1“ 1 m / 3‘ 4“ 1.5 m / 5‘ MOD from lens front 0.43 m / 16.9“ 0.63 m / 2‘ 1“ 0.78 m / 2‘ 7“ 1.25 m / 4‘ 2“ Length from flange 178 mm / 7.01“ 178 mm / 7.01“ 178 mm / 7.01“ 208 mm / 8.19“ Magnification Ratio at MOD (Paraxial) 1:7.2 1:7.9 1:7.0 1:9.0 Entrance pupil position (related to image plane, in direction to object) 118.6 mm / 4.67“ 86.6 mm / 3.41“ 66.3 mm / 2.61“ 145.4 mm / 5.72“ Angle of view H - V - D for LF Open Gate 27.6° /19.4° / 33.2° 21.8° / 15.2° / 26.4° 16.6° / 11.6° / 20.2° 13.8° / 9.8° / 16.8° Front diameter 114 mm / 4.49“ 114 mm / 4.49“ 114 mm / 4.49“ 114 mm / 4.49“ Maximum housing diameter 115 mm / 4.53" 115 mm / 4.53" 115 mm / 4.53" 135 mm / 5.31“ Weight (lens only) 1.9 kg / 4.2lb 2.4 kg/5.3lb 2.3 kg / 5.1lb 3.5 kg/7.7lb Name ARRI SIGNATURE PRIME 200/T2.5 ARRI SIGNATURE PRIME 12/T1.8 ARRI SIGNATURE PRIME 15/T1.8 ARRI SIGNATURE PRIME 280/T2.8 Release 2018 2019 2019 2019 Lens Mount LPL LPL LPL LPL MOD from sensor plane (minimum marked distance) 1.8 m / 6‘ 0.35 m / 14“ 0.35 m / 14“ 2.5 m / 8‘ 2“ MOD from lens front 1.54 m / 5‘ tbd tbd tbd Length from flange 218 mm / 8.58“ tbd tbd tbd Magnification Ratio at MOD (Paraxial) 1:8.3 tbd tbd tbd Entrance pupil position (related to image plane, in direction to object) 48.0 mm / 1.89“ tbd tbd tbd Angle of view H - V - D for LF Open Gate 10.4° / 7.2° / 12.6° 113.6° / 93.6° / 123.5° 101.5° / 80.8° / 112.3° 7.5° / 5.2° / 9.1° Front diameter 114 mm / 4.49“ tbd tbd 134 mm / 5.28“ Maximum housing diameter 135 mm / 5.31“ tbd tbd tbd Weight (lens only) 3.6 kg/7.9lb tbd tbd 5.5 kg/12.1lb
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    Hello, we are organizing The Kautik Film Festival in Nainital and for the first time we are taking it international. We expect our film making community to be a part of it wholeheartedly and for more information you can refer to the posters and contact details. Most of the times students don't even get to know that these kinds of festivals are happening around them. Spread the word, lets make it big. KAUTIK Film Festival Event Dates: April 7th, 8th and 9th CEFM Event Address: The Hermitage, Nainital, India The Hermitage Contact us at +91-9411344136, +91-9410544524 Kumaun University Email: filmmakingku@gmail.com Nainital, Uttarakhand Website: www.kunainital.ac.in India
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    About Us People’s Film Collective is an independent, autonomous, people-funded cultural-political collective based in West Bengal. Formed in 2013, it believes in the power of films as a weapon of pedagogy of the oppressed as well as alternative media for people. PFC organises monthly film screenings in Kolkata. It travels in Bengal with films & movemental videos. It’s members document movements and make political documentaries. PFC organises an annual film festival, called ‘Kolkata People’s Film Festival’ and brings out a magazine ‘Pratirodher Cinema’. PFC is interested in collaborating with like-minded collectives of the working class and people’s movements. Campaigns and initiatives Kolkata Monthly Documentary Screenings and Conversations Kolkata People’s Film Festival Little Cinema campaign Travelling Cinema campaign People’s Media – documentary and alt media collective Pratirodher Cinema – film and counterculture magazine Sister collective People’s Study Circle Contact Us Email: peoplesfilmcollective@gmail.com Phone: +91-9163736863 (also WhatsApp) Facebook: http://www.facebook.com/KolkataPeoplesFilmFestival/ (page) http://www.facebook.com/groups/PeoplesFilmCollective/ (group) Twitter: @pfckolkata | Instagram: http://www.instagram.com/peoplesfilmcollective/ https://kolkatapeoplesfilmfestival.wordpress.com/about/ Join Us To organize a film screening in your locality please write to peoplesfilmcollective@gmail.com or leave a message at 9163736863. We will get back to you. To join our collective or festival organizing team, please contact us in the manner above, or simply turn up at one of our screenings for a face-to-face chat!
  22. parambyte

    Sample Directors Treatment Notes

    Thanks Jason! This was awesome! I am sure lots of us would be interested but not in 8 week. Its too lloong!
  23. We love FCP X. Like most people, we had initially been taken aback by this bold release from Apple, but as we use it more and more, we are loving it. Here are some fabulous plugins that will add more features to your FCPX SliceX : SliceX lets you create instant Shape Masks to cut out layers or isolate effects directly in Final Cut Pro X without having to go into Motion or create the masks with an external program. SliceX includes nine motion templates for common tasks and you can also use the Shape Masks with built in effects, the built in color corrector or with third party plugins. XMiL: EDL-X makes CMX 3600-compliant Edit Decision Lists based on XMLs exported from Apple Final Cut Pro X. This helps integrating Final Cut Pro X with many industry-standart post production workflows. Luca VFX Plugins: These are amazing plugins for FCPx that includes cool tools like simulated light leaks etc. X Effects 3D: XEffects 3D Transitions are 24 effects for Final Cut Pro X all built in 3D space with camera moves, variable focal lengths, shallow depth of field, lighting and reflections. SlidePop: Slide Pop is a pack of 20 customizable Final Cut Pro X effects and transitions pack inspired by the sweet vintage View-Masters of our childhood. FX Factory: Has some cool effects plug ins. Loudness Change: Why do you want this? Using this tool, it's very easy to make a mix that broadcasters will accept. Just mix to your ears, and let this thing analyze / render to a new file. You end up with a mix with the volume set to the desired LUFS. In the unlucky case there are errors found, you'll get a detailed list what error occurs where.
  24. ITem for sale: Nikon D800, bought in late 2012. Asking price: Rs 85000/- Item Location: Mumbai Item description: In excellent condition, Nikon D800 body with battery, charger, body cap, USB cable, original box.. Item condition: Excellent, always kept in a dehumidifying cabinet, Are you the original owner?: Yes DO you have the original invoice?: Yes Items included in the sale (Example : lens cap, carry bag, box etc): Nikon D800 body with battery, charger, body cap, USB cable, original box.. Preferred shipment method (courier, personal etc): No shipping. Too risky. Preferred method of payment?: Cash or bank transfer. Return policy: No returns, no refunds. Please check to satisfaction at my premises before buying. Special Note: It is sparingly used, only some 9600 types shutter count.
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    Kerala State Chalachitra Academy, a Kerala Government Institution to promote cinema conducts International Film Festival of Kerala (IFFK)every year. A competition section for the films from Asian and African andLatin American countries is the highlight of the festival. The Golden CrowPheasant Award with a cash prize INR 15 lakhs (approximate 30,000 US dollars) for the best feature film to be shared equally between the director and the producer.
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