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Found 7 results

  1. Avid is offering the Media Composer First for free! Download it here. Offers pretty much most of teh stuff that Media Composer offers. See the comparison here.
  2. Avid is offering a fabulous upgrade path. When you’re faced with tons of footage and a looming deadline, why waste hours searching for suitable clips to tell your story? Instead, find the exact takes and clips you need in seconds with the Media Composer | ScriptSync and PhraseFind options, which are both available now and better than ever. Match every take to every dialog line in your script quickly using ScriptSync—get it now Find all relevant clips fast through powerful dialog search using PhraseFind—get it now Get faster performance, better search results, and other great new features Be sure you have the latest version of Media Composer 8.8 to use these options. If you don’t, you can upgrade practically any version of Media Composer, Symphony, or NewsCutter to Media Composer 8.8 for just $399 (USD) for a limited time. With PhraseFind—the powerful new version of the acclaimed dialog indexing and search option for Media Composer—you can quickly find all relevant clips by simply typing a word or phrase. PhraseFind automatically analyzes all clips in your project and phonetically indexes all audible dialog, so you can spend less time searching for the right media and more time focusing on what matters most—your story. With ScriptSync—a powerful dialog search and sync option for Media Composer—you can eliminate time-consuming manual media searches and quickly find the best take or perfect clip fast. ScriptSync phonetically indexes all text and audible dialog in your project automatically and then syncs each source clip to its associated line in the script. Once synced, you can quickly locate all relevant clips in seconds based on a scene number, page number, or word or phrase search, enabling you to compare performances in the context of your story.
  3. Avid MetaFuze Gain the ability to work with a wide variety of raw files in your editing and finishing projects. With MetaFuze, a free file conversion tool, you save tons of time, as the app automatically converts formats—such as DPX, RED (R3D), QuickTime, HDR (High Dynamic Range), ARRIRAW, and even stereoscopic 3D sequences—to Avid DNxHD or AVID DS media for HD offline editing and 10-bit HD finishing. Free up more time for your revenue-driven creative work by offloading the file conversion to other CPUs. With MetaFuze, you can batch convert your files with full metadata preservation and correction in one simple step. And with the latest version, MetaFuze 2.5, you can not only increase your throughput with accelerated transcoding of stereoscopic 3D media to DNxHD, but also take on more projects with new support for the HDR file format. What’s new in MetaFuze 2.5 Supports the latest RED color science for R3D file conversion Transcode to the .GEN file format for direct access in Avid DS Get improved TIFF workflows with enhanced file support Work with High Dynamic Range (HDR) files Work with interlaced output formats (HD only) Get better performance with stereoscopic 3D and audio media System requirements Avid-qualified computer running Windows 7, Windows Vista, or Windows XP (including a Mac running Boot Camp or other emulation)
  4. Content Browser Content Browser is an all-in-one clip management application that can be used with the latest portfolio of Sony camcorders and decks. Content Browser integrates XDCAM Browser (XDCAM) and Content Management Utility (NXCAM) into a single application. Version 2.0.1 Bug fixes (refer to Release Notes for detail) New Features in Version 2.0 Added support for XAVC clip Clip type XAVC Intra 4K and XAVC Intra HD Play XAVC clips Copy XAVC clips, including mark in/out copy Added support for NXCAM DV-AVI clip Added JPG format for capturing still image Content Manager Support — Clips and clip lists can be archived via Sony Content Manager. IMPORTANT: A serial number is required to install this application. If you have a previous serial number from XDCAM Advanced Pack or NXCAM Activation Pack, that can also be used for the installation. A serial number will be required for the installation. More details here. Available for Mac and Windows
  5. Red Epic workflow for Avid This guide details the steps required to move RED R3D files - the native recording format of the RED ONE camera - through an HD post production process using Avid® Media Composer® v3.0.5 or later or Avid SymphonyTM v3.0.5 or later editing systems and Avid DS 10.2 or later for native 2K/4K conform. (see www.avid.com/RED for details). For additional workflow information and a step by step guide for using ROCKETCINE-X accelerated by the REDROCKET card visit www.avid.com/RED Avid_RED_StepByStep_Small.pdf
  6. 1. Use Canon EOS Utility to transfer/backup files. 2. In Sorenson Sequeeze, setup 2 presets - one for Avid DNx36 and another for DNx220. 3. Adjust the Destination folder. Adjust the naming scheme so it will not append the name (thus exact same file name as original). Compress for DNx36. 4. Create my offline files. Since I have a multi core and Sorenson can utilize multi core to compress multiple files, I at least double the speed of the compression. If you have a dual core dual cpu you could quadruple or more your speed since it will compress more files simultaneously. 5. Fast import the low res files. 6. Edit 7. Decompose. Create a file list for 2nd compression but using DNx220 profile. 8. Batch import point at DNx220 version of relevent files only. 9. Conform and grade. 10. Output
  7. Cineon/DPX Pro for MacOSX Allows MacOSX and any QuickTime enabled Application to work with Cineon or DPX Sequences directly. With this package, Finder becomes fully aware of these files. MacOSX services such as Spotlight, Thumbnail Previews, and basic QuickTime Playback is provided. The Cineon file format is a widely used digital film image format which was developed by Kodak for the Feature Film industry. The DPX digital image file format was developed by SMPTE and is used heavily in the Feature Film and High Definition broadcast industries for production. MORE Phantom Cine Toolkit for MacOSX Vision Research creates and manufactures high speed digital cameras that can capture imagery at several thousand frames a second. This Toolkit supports the Phantom V-series cameras from v7 through v640/710 and onwards. The Phantom Flex, Phantom HD and Phantom 65 are also supported. With this Toolkit, MacOSX and Applications will simply "work" with Vision Research Cine Movies. Support for the Finder, Spotlight, Previews, and basic QuickTime Playback is enabled. Other applications that are QuickTime aware, will also work with Phantom Cine Movie file format. MORE Séance - Phantom Camera Contol for MacOSX Séance has an intuitive interface which lets you operate your Phantom Camera or Cinestation quickly and efficiently. The User Interface elements clearly identify what is happening with your Cine files, so you can see "at a glance" what is happening . . . even from a distance. Features such as GPU Accelerated Graphics, Drag & Drop and Multi Processing are heavily used throughout the application to make your project's workflow easier, sophisticated and efficient. MORE ARRI Camera Toolkit for MacOSX The ARRI Camera Toolkit allows MacOSX and Applications to be fully compatible with ARRIRAW Sequences as well as LogC ProRes movies from the Alexa SxS Cards. With this Toolkit, Finder is fully aware of ARRIRAW files and includes support for Spotlight, Previews, and basic QuickTime Playback. Other applications that are QuickTime aware, will also work with ARRIRAW file format. LogC ProRes movies can be instantly converted to Rec 709 or DCI P3 colorspaces. White Points and Exposure Indices can be changed, on the fly, without any rendering. MORE ASC-CDL Toolkit for Final Cut Pro This is a Final Cut Pro/Motion filter plugin, to allow you to apply ASC-CDL color corrections to your project. Compatible with the ASC-CDL v1.2 XML specification, you can load corrections created on a wide range of devices and packages. This filter works with the ASC-CDL v1.0 "Slope, Offset and Power" RGB values as well as the ASC-CDL v1.2 "Saturation" value. Not only can you import the XML file, but you can alter these values by hand. MORE
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