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Found 5 results

  1. Just discovered this. While shooting on the Phantom Flex at high speeds, dolly movements become a problem. No more. The Cheetah Dolly motion control base is a track system that can either be programmed to do a tracking move, or operated live with an encoder control, and then played back through Kuper motion control software. In addition it can also be used in the “non motion control mode” with our motor speed controller to accomplish a consistent precision tracking speed. You can use it as a tracking system only, or mount a pan/tilt or pan/tilt/roll head to it. Camera lens height can be set at a fixed position ranging from 6in to 8ft. by using anything from a low hat to tall camera sticks. In addition an offset arm can be added for repositioning of the camera head. It can either ride on our Sorensen Design track, which is extremely stable and still light enough to take anywhere, or different diameters of curved track. Track speed can range from time-lapse mode to 18 feet per second, with track runs ranging from 4 feet to 150 feet. The Cheetah Dolly can be utilized to move a wide range of objects other than a camera such as: lights, props or people. Physical Specs: Width: 30 in. to 6 ft. Length: 30 in. to 8 ft. Base Height: 14 in. Tech Specs: Track Width = 32″ Track Drive = Gear Drive (Rack and Pinion – Servo Motor) Top Speed = 18 Feet Per Second Motion Control Axes = Up to 7 Standard (Track, Pan, Tilt, Roll, Focus, Iris, Zoom) – Custom Configurations available
  2. From WikiPedia: Set in present day Banaras, the plot of Masaan follows two seemingly separate story arcs that eventually converge. The first of these tells the story of Devi (Richa Chadda). The film opens with her and her fellow student, Piyush, checking into a hotel room. They are interrupted when the police bursts in, accusing them of indulging in “indecent behaviour”, and even getting a confession from Devi on videotape. Subsequently, Devi and her family are subjected to blackmail by the police, particularly one Inspector Mishra, who demands a hefty bribe from Vidyadhar Pathak, Devi’s father. The second narrative concerns Deepak (Vicky Kaushal), a young boy (also from Banaras) who belongs to the untouchable Dom caste. As a result, he is forced to work on the Ghats of the Ganga, burning bodies on funeral pyres; he longs to escape this atmosphere of marginalization. Deepak meets and falls in love with Shaalu (Shweta Tripathi), a young girl who belongs to the upper-class Gupta clan, and their difference in caste leads to familial and societal conflicts
  3. Vision Research, a leading manufacturer of digital high-speed imaging systems, officially launches the Phantom® Flex4K, the next evolution in its award-winning digital cinema product line at the 2013 International Broadcasting Convention, September 13-17, 2013 in Amsterdam. The Phantom Flex4K offers exceptional image quality, new workflow options, a user-friendly camera control interface, and outstanding performance at both ultra high-speed and standard frame rates.
  4. Cineon/DPX Pro for MacOSX Allows MacOSX and any QuickTime enabled Application to work with Cineon or DPX Sequences directly. With this package, Finder becomes fully aware of these files. MacOSX services such as Spotlight, Thumbnail Previews, and basic QuickTime Playback is provided. The Cineon file format is a widely used digital film image format which was developed by Kodak for the Feature Film industry. The DPX digital image file format was developed by SMPTE and is used heavily in the Feature Film and High Definition broadcast industries for production. MORE Phantom Cine Toolkit for MacOSX Vision Research creates and manufactures high speed digital cameras that can capture imagery at several thousand frames a second. This Toolkit supports the Phantom V-series cameras from v7 through v640/710 and onwards. The Phantom Flex, Phantom HD and Phantom 65 are also supported. With this Toolkit, MacOSX and Applications will simply "work" with Vision Research Cine Movies. Support for the Finder, Spotlight, Previews, and basic QuickTime Playback is enabled. Other applications that are QuickTime aware, will also work with Phantom Cine Movie file format. MORE Séance - Phantom Camera Contol for MacOSX Séance has an intuitive interface which lets you operate your Phantom Camera or Cinestation quickly and efficiently. The User Interface elements clearly identify what is happening with your Cine files, so you can see "at a glance" what is happening . . . even from a distance. Features such as GPU Accelerated Graphics, Drag & Drop and Multi Processing are heavily used throughout the application to make your project's workflow easier, sophisticated and efficient. MORE ARRI Camera Toolkit for MacOSX The ARRI Camera Toolkit allows MacOSX and Applications to be fully compatible with ARRIRAW Sequences as well as LogC ProRes movies from the Alexa SxS Cards. With this Toolkit, Finder is fully aware of ARRIRAW files and includes support for Spotlight, Previews, and basic QuickTime Playback. Other applications that are QuickTime aware, will also work with ARRIRAW file format. LogC ProRes movies can be instantly converted to Rec 709 or DCI P3 colorspaces. White Points and Exposure Indices can be changed, on the fly, without any rendering. MORE ASC-CDL Toolkit for Final Cut Pro This is a Final Cut Pro/Motion filter plugin, to allow you to apply ASC-CDL color corrections to your project. Compatible with the ASC-CDL v1.2 XML specification, you can load corrections created on a wide range of devices and packages. This filter works with the ASC-CDL v1.0 "Slope, Offset and Power" RGB values as well as the ASC-CDL v1.2 "Saturation" value. Not only can you import the XML file, but you can alter these values by hand. MORE
  5. Here are simple instructions to follow: * Phantom RAW .cine file names must be 8 characters MAXIMUM, without duplication (can exclude underscores in this) It is helpful to use Day, camera, mag & clip name identification eg 1_A_01_001.cine would be Day 1, camera A, mag 01, clip 001 However, if all the clips are in order, then you could use 0001.cine, 0002.cine etc.... * The file name of the transcoded clips used in AVID/ FCP must match EXACTLY the .cine file Eg. 1_A_01_001.cine must be transcoded to 1_A_01_001.mov prior to ingesting into the AVID/FCP. * If using AVID, clip names MUST NOT BE CHANGED in the Bin * Clip name comments MUST be used in the EDL. Clip name comments should reflect clip used: eg: *FROM CLIP: 1_A_01_001.mov * Timecode of each clip MUST start at 00:00:00:00 This is the default of FCP for QuickTimes with no timecode, but for AVID this will be 01:00:00:00, in which case an ALE (Avid Log Exchange) file must be used to import files with zero hour timecode. * Post House for CGI must be provided with the RAW .cine files * EDL must be in CMX 3600 format
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