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Found 7 results

  1. Arri has announced 4 new Zoom Lenses in its high quality Signature range. All the lenses open up to a fast T2.8 consistently and are a perfect match to the Arri Signature Primes. The lenses are 16-32, 24-75, 45-135 and 65-300mm. Arri has also announced a 1.7x Tele Convertor which is matched to the 65-300mm T2.8 making it 110-510mm T4.9. The Arri Signature Zoom Extended 1.7x can also be used with the Arri Signature Prime 280mm making it 480mm T4.9. The Arri Signature Prime and Signature Zoom Range comes with an LPL Mount for Arri Alexa LF.
  2. A list of cameras with PL Mount. Still WIP. List of Cameras with PL Mount by DesiCreative on Scribd
  3. SXT W - A Fully Wireless Camera In a move that will increase efficiency on set, ARRI has integrated a high-quality and low-latency HD video transmitter and WiFi into the new ALEXA SXT W model ("W" for Wireless). Based on the popular ALEXA SXT Plus, the SXT W will replace the SXT Plus and Studio models. As always, there are attractive upgrade options for existing owners of ALEXA SXT EV and ALEXA SXT Plus cameras. The new hardware will be accompanied by software upgrade SXT SUP 2.0, which adds improved HDR monitoring, support for current SxS PRO+ and CFast 2.0 cards, quicker frame grab
  4. ARRI announces the new ALEXA Mini, a versatile additional tool in the ARRI ALEXA camera range that combines a compact and lightweight form factor with the same unparalleled image quality that has made the ALEXA system a gold standard for the industry. Designed for specialized shot-making, the ALEXA Mini perfectly complements a full ALEXA shooting kit and allows crews to eliminate the complications of working with third-party cameras by keeping everything within a single system that is trusted all over the world. Equipped with a 4:3 sensor, automatic de-squeeze mode for anamorphic productions
  5. AMIRA features the same sensor and exceptional image quality as the ARRI ALEXA, recording superior HD 1080 or 2K pictures that are suitable for any distribution format. With a dynamic range of more than 14 stops, low noise levels, subtle highlight handling, natural color rendering, breathtaking skin tones and speeds of up to 200 fps, AMIRA will deliver beautiful, life-like images in any situation. AMIRA records Rec 709 or Log C images using ProRes LT, 422, 422HQ or 444 codecs. By recording to in-camera CFast 2.0 flash memory cards with super-quick data rates, the route into postproduction is
  6. Gluetools has this amazing Arri RAW toolkit. ARRIRAW Made Easy The ARRIRAW Toolkit allows you to easily work with your ARRIRAW(.ari) footage. With the ARRIRAW QuickTime component, finder is fully aware of ARRIRAW files and includes support for Spotlight, Previews, and basic QuickTime Playback. Other applications that are QuickTime aware, will also work with ARRIRAW file format. Demo Features Supports all models of Alexa cameras. Reads ARRIRAW (.ari) files with a Water Mark (A Red Bar through the image.) Final Cut Pro import panels for ARRIRAW limited to importing a singl
  7. Sophisticated high speed electronics allow ALEXA to record 15 minutes of ProRes 4444 or 20 minutes of ProRes 422 (HQ) as QuickTime files onto a 32GB SxS card that slots directly into both the camera and computers such as Apple’s MacBook Pro. By utilizing codecs used natively by Apple’s Final Cut Pro, ALEXA offers the most streamlined and cost effective workflow possible. To begin editing, the memory card simply needs to be removed from the camera and plugged into a laptop. It couldn’t be easier. Shoot > Edit workflows Several different recording and workflow options are possible with
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