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Found 12 results

  1. We are often asked this loaded question. Being hard core pros, we would like to suggest an Arri 435. Or an Arri Alexa LF. Unfortunately when someone asks this question, what they mostly mean is 'I want an affordable light weight camera that will shoot cool video'.. That makes the question clearer. What should be look for in a camera that shoots cool video. Do you want to shoot fiction or non-fiction. If non-fiction, then we mostly suggest a camcorder. Why? Compact form factor with built in good lens zoom range, autofocus (very very important for documentary and sports), built in
  2. New Panasonic AU-EVA1 Compact 5.7K Super 35mm Camera Basic Specifications 5.7K Super 35 Sensor EF Lens Mount 4K 60p / 2K up to 240p Dual Native ISO 10-bit 4:2:2 internal recording Dual SD Card Recording Up to 400 Mbps Recording V-Log / V-Gamut 5.7K Raw Output [Future update] No EVF Built in ND filters- 2,4,6 Electronic Image Stabilization [EIS] Varicam Colorimetry
  3. Sony FS7 is an awesome 4k S35mm size sensor camcorder from Sony. Main things we like about this camera: - Super 35mm Size sensor - 4k Video - 10-bit 4:2:2 imagery at just 50 Mbps - 50FPS at 4k and higher upto 180 at lower resolutions However, some things about the camera re tricky and the main being the complicated menu, and not knowing in a hurry what to set the camera at. Here's my recommended basic settings: - ISO : 2000 (Default ISO for the camera) - PAL 25 FPS (this should be obvious for India) - 4k (3840 x 2160), to best enjoy the PL Mount lenses. - Shooting Mode 'Cine EI' or 'SLog3' for
  4. This post will continuously be edited. Black Shading and why it is so important: Many of you may have come across intense noise from your Red camera footage. Perhaps someone didn't black-shade the camera before shooting (considering all other aspects of shooting were normal). Black shading maximizes image quality by ensuring that pixel sensitivity remains consistent throughout an image. The technique has been used for a variety of high-end applications in digital capture over the years. In this article, we’ll discuss when this is beneficial and how it is applied. Black shading works by meas
  5. ARRI’s new ALEXA SXT (Super Xtended Technology) cameras represent the next exciting step in the continuing evolution of the ALEXA family. Retaining the rock-solid foundation on which ALEXA is built, ALEXA SXT cameras additionally offer ProRes 4K recording, improved image quality, powerful color management and three fully independent HD-SDI outputs. With in-camera recording of ProRes 4K UHD (3840 x 2160 pixels) and ProRes 4K Cine (4096 x 2637 pixels), ALEXA SXT cameras are the ideal choice for productions that need 4K UHD TV or 4K DCI cinema deliverables, so filmmakers can continue using the
  6. ARRI announces the new ALEXA Mini, a versatile additional tool in the ARRI ALEXA camera range that combines a compact and lightweight form factor with the same unparalleled image quality that has made the ALEXA system a gold standard for the industry. Designed for specialized shot-making, the ALEXA Mini perfectly complements a full ALEXA shooting kit and allows crews to eliminate the complications of working with third-party cameras by keeping everything within a single system that is trusted all over the world. Equipped with a 4:3 sensor, automatic de-squeeze mode for anamorphic productions
  7. Canon Company invites you for their digital cinematography workshop of their EOS C-500 4K at Whistling Woods on 21st Sept, 2013 - 11am to 7pm.
  8. Vision Research, a leading manufacturer of digital high-speed imaging systems, officially launches the Phantom® Flex4K, the next evolution in its award-winning digital cinema product line at the 2013 International Broadcasting Convention, September 13-17, 2013 in Amsterdam. The Phantom Flex4K offers exceptional image quality, new workflow options, a user-friendly camera control interface, and outstanding performance at both ultra high-speed and standard frame rates.
  9. AMIRA features the same sensor and exceptional image quality as the ARRI ALEXA, recording superior HD 1080 or 2K pictures that are suitable for any distribution format. With a dynamic range of more than 14 stops, low noise levels, subtle highlight handling, natural color rendering, breathtaking skin tones and speeds of up to 200 fps, AMIRA will deliver beautiful, life-like images in any situation. AMIRA records Rec 709 or Log C images using ProRes LT, 422, 422HQ or 444 codecs. By recording to in-camera CFast 2.0 flash memory cards with super-quick data rates, the route into postproduction is
  10. Black Magic Cinema Camera ( Latest ) Sony FS700 ( Latest ) Canon 5D Mark III Body Canon 5D Mark II PL Mount Canon 5D Mark II Canon XF305 Canon C300 Body Canon 1Dc ( Latest ) Canon 1Dx Canon C500 Body ( Latest ) Sony F3 Body with S-Log + samrurai recorder Canon 7D Body Sony HDV Z7 Go PRO HD1 + Lcd Go PRO HD 2 + Lcd Go PRO HD 3 + Lcd Sony HD Handycam Sony Ex 3 Sony Ex 1 --------------------------------------------------------------------------------------------------- Carl Ziess 15mm Carl Ziess 25mm Carl Ziess 35mm Carl Ziess 50mm Carl Ziess 85mm : DISATAGON T 2.8/15
  11. Here's an ad for a home movie camera from July 1977 (The National Geographic Magazine). Contrary to popular opinion, personal movie making equipment has be around for a long time.
  12. Hosted by Marco Solorio of OneRiver Media, this video compares the Blackmagic Design Cinema Camera and the Canon 5D Mark III in several tests. This includes dynamic range, sharpness, pushing levels, banding, artifacts, rolling shutter, chromakeying, wide/telephoto lengths, DOF (depth of field), low light, macro blocking, contrast, and more. Going a step closer with the Cinema Camera, Marco Solorio of OneRiver Media focuses on how 12-bit RAW compares in relation to 8-bit alternatives, including many camera solutions costing much more. The difference between “perceived dynamic range” a
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